Preah Vihear Temple

Preah Vihear Temple

Preah Vihear Temple (Khmer: ប្រាសាទព្រះវិហារ) is a Hindu temple built during the reign of Khmer Empire, that is situated atop a 525-metre (1,722 ft) cliff in the Dangrek Mountain, in the Preah Vihear province, Cambodia. In 1962, following a lengthy dispute between Thailand and Cambodia over ownership, the International Court of Justice (ICJ) in The Hague awarded the temple to Cambodia.

Affording a view for many kilometers across a plain, Prasat Preah Vihear has the most spectacular setting of all the temples built during the six-centuries-long Khmer Empire. As a key edifice of the empire’s spiritual life, it was supported and modified by successive kings and so bears elements of several architectural styles. Preah Vihear is unusual among Khmer temples in being constructed along a long north-south axis, rather than having the conventional rectangular plan with orientation toward the east. The temple gives its name to Cambodia’s Preah Vihear province, in which it is now located, as well as the Khao Pra Wihan National Park which borders it in Thailand’s Sisaket province and through which the temple is most easily accessible. On July 7, 2008, Preah Vihear was listed as a UNESCO World Heritage Site.

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Koh Ker Temple

Koh Ker Temple

One of Cambodia’s most remote Angkorian sites, 125km northeast of Siem Reap, KOH KER was briefly capital of the Khmer Empire in the tenth century, when Jayavarman IV – who was already ruler of his own state here when he ascended the imperial throne – decided not to relocate to Angkor, but decreed instead that the court should come to him, ordering the construction of a road linking Koh Ker and Angkor, on which the temples of Beng Mealea and Banteay Samre were later built.

Now practically engulfed by jungle, the ruins of Koh Ker have been heavily looted and badly neglected, but plenty remains, including more than forty major monuments spread across eighty square kilometres – although only a small proportion are open to visitors, and much of the area has yet to be completely de-mined. Mines still present a serious danger. Do not on any account stray from well-trodden paths.

Koh Ker is famous for its distinctive style of monumental sculpture, although most pieces have either been looted or removed for safekeeping to the country’s various museums.

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Floating Village Tours

Floating Village Tours

So you’ve seen Angkor and are now wondering what else to do in Siem Reap. “Go visit the Floating village” is the most common answer you’ll get from fellow visitors, tuk-tuk drivers and travel agents alike. And we agree! Going through an authentic Siem Reap floating village is a real treat for those who have never seen similar things before. However, the quality of your experience will largely depend on which floating village you go to. In this post, we’ll review the three main floating villages around Siem Reap and explain why Kompong Khleang is our favorite.

Chong Kneas

A lot has been written about Chong Kneas already (e.g. here on Travelfish ), so let’s just say that there are only a few reasons for which you would want to go there. Here’s an exclusive list for you:

Chong Kneas features absurdities such as small kids sporting huge water snakes and so-called crocodiles farms which in reality are small ponds where dozens of crocodiles are crammed together. At some point, your boat will probably also stop by a “local shop” where it’ll be “strongly suggested” that you buy $60 rice bags “for the children”…

Last but not least, the locals do not get much from the money you’ll spend as the boat service, which is what you’re paying an entrance fee for ($30/person), is managed by a private company. As most visitors there come from Korea, the aforementioned company kindly built floating “local” restaurants that serve Korean food in case their main customers miss it. 

If you want to read further about it, take a look at Trip Advisor’s page about Chong Kneas. At the time we are writing this, there were 101 reviews out of 166 that deemed the experience as “terrible” (one star).

Kompong Phluk

You won’t see any croco farms or children with snakes there, and the boat journey is actually quite scenic and enjoyable. Despite the growing flow of tourists (you’ll understand what we mean when you see the dozens of boats at the dock) , Kompong Phluk has kept a lot of its authenticity and its visit is overall a nice experience.

“Then why don’t you take Triple A customers there?” you may ask. Well, Kompong Phluk is a small village, so the boat ride is consequently quite short. Some find it too short compared to the $20 entry fee per person. Moreover, the boat service is managed by a private company, which means that the locals don’t really see much of the money generated from tourism. Overall, Kompong Phluk is still a good option if you only have a few hours to spend.

Kompong Khleang

Kompong Khleang is where we take our customers and the place we would recommend to anyone who wants to visit a floating village around Siem Reap.

First off because it is truly authentic.Thanks to its low number of visitors (most travel agencies and tuk-tuk drivers prefer to take their clients to Kompong Phluk and Chong Kneas because they’re closer to Siem Reap), Kompong Khleang feels genuinely untouched and peaceful. When we arrive by the small pier in the late morning, there generally are only a few visitors’ cars or mini-vans already parked, if any.

The second reason we choose to take people there is that it is the most beautiful village out of the three. Consider this: Kompong Khleang is the home of about 1800 families, more or less 6000 people altogether. This means that when you arrive in Kompong Khleang, you will see stilt houses as far as the eye can see. More than a village, Kompong Khleang is a small town with its schools, its 3 pagodas, its clinics and everything such a large community requires to function. For those of you who have never seen such things before, it is a truly mind-boggling experience.

Once your boat navigates away from the stilt houses, you will enter the “actual” floating village: several dozens of wooden houses floating on the river. The village moves along the river according to the seasons, and even sits on Tonlé Sap lake during the dry season. Just amazing.

One of the best things about Kompong Khleang is that the boat service is still owned by the locals, which means that the money we spend on the boat trip gets back to the community. We really hope it remains this way.

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Kulen Park

Kulen Park

Phnom Kulen is considered by Khmers to be the most sacred mountain in Cambodia and is a popular place of pilgrimage during weekends and festivals. It played a significant role in the history of the Khmer empire, as it was from here in AD 802 that Jayavarman II proclaimed himself a devaraja (god-king) and announced independence from Java, giving birth to modern-day Cambodia.

There is a small Wat at the summit of the mountain, which houses a large reclining Buddha carved into the sandstone boulder upon which it is built nearby is a large waterfall and above it are smaller bathing areas and a number of carvings in the riverbed, including numerous lingas.

The new road winds its way through some spectacular jungle scenery, emerging on the plateau after a 20km ascent. The road eventually splits: the left fork leads to the picnic spot, waterfalls and ruins of a 9th-century temple; the right fork continues over a bridge and some riverbed carvings to the reclining Buddha. This is the focal point of a pilgrimage here for Khmer people, so it is important to take off your shoes and any head covering before climbing the stairs to the sanctuary. The views from the 487m peak are tremendous, as you can see right across the forested plateau. The waterfall is an attractive spot, but could be much more beautiful were it not for all the litter left here by families picnicking at the weekend. Near the top of the waterfall is a jungle-clad temple known as Prasat Krau Romeas, dating from the 9th century.

There are plenty of other Angkorian sites on Phnom Kulen, including as many as 20 minor temples around the plateau, the most important of which is Prasat Rong Chen, the first pyramid or temple-mountain to be constructed in the Angkor area. Most impressive of all are the giant stone animals or guardians of the mountain, known as Sra Damrei (Elephant Pond). These are very difficult to get to, with the route passing through mined sections of the mountain (stick to the path!) and the trail impossible in the wet season. The few people who make it, however, are rewarded with a life-size replica of a stone elephant – a full 4m long and 3m tall – and smaller statues of lions, a frog and a cow. These were constructed on the southern face of the mountain and from here there are spectacular views across the plains below. Getting here requires taking a moto from Wat Preah Angkor Thom for about 12km on very rough trails through thick forest before arriving at a sheer rock face. From here it is a 1km walk to the animals through the forest. Don’t try to find it on your own; expect to pay the moto driver about US around US$15 and carry plenty of water, as none is available.

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Kbal Spean – Temple

Kbal Spean – Temple

Kbal Spean or Bridge Head is an Angkorian era archaeological site on the southwest slopes of the Kulen Hills to the northeast of Angkor in Siem Reap District, Siem Reap Province, Cambodia. It is situated along a 50 metres (160 ft) stretch of the Stung Kbal Spean River, 25 kilometres (16 mi) from the main Angkor group of monuments.

The site consists of a series of stone carvings in sandstone formations carved in the river bed and banks. It is commonly known as the “Valley of a 1000 Lingas” or “The River of a Thousand Lingas”. The motifs for stone carvings are mainly myriads of lingams (phallic symbol of Hindu god Shiva), depicted as neatly arranged bumps that cover the surface of a sandstone bed rock, and lingam-yoni designs. There are also various Hindu mythological motifs, including depictions of the gods Shiva, Vishnu, Brahma, Lakshmi, Rama, and Hanuman, as well as animals

Kbal Spean lies 50 kilometers northeast of Siem Reap pro-vincial town or about 18 kilometers from Banteay Srei on a dirt road. It takes from one to two hours to get there from the provincial town.

The original River of Thousand Lingams, Kbal Spean is an intricately carved riverbed deep in the foothills of the Cam-bodian jungle. Lingams are phallic representations sacred to Brahmanism as symbols of fertility, and hundreds of them are carved into the rock here, as are several carvings of gods and animals above the small waterfall

History of Kbal Spean Temple

The carving of vestiges began with the reign of King Suryavarman I and ended with the reign of King Udayadityavarman II; these two kings ruled between the 11th and 12th centuries. The 1,000 lingas, but not other sculptures, are attributed to a minister of Suryavarman I during the 11th century, and these were carved by hermits who lived in the area. Inscriptions at the site testify to the fact that most of the sculpting was done during the reign of Udayadityavarman II. It is also mentioned that King Udayadityavarman II consecrated a golden ling here in 1059 AD. It is believed that the Siem Reap River flowing into Angkor is blessed by the sacred lingas over which it flows.

The archaeological site was discovered in 1969 by Jean Boulbet, an ethnologist, but further exploration was cut off due to the Cambodian Civil War. The site regained prominence for safe visits from 1989.

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Beng Mealea Temple

Beng Mealea Temple

Beng Mealea is a temple in the Angkor Wat style located 40 km east of the main group of temples at Angkor, Cambodia, on the ancient royal highway to Preah Khan Kompong Svay

Beng Mealea is a spectacular sight to behold. It’s one of the most mysterious temples at Angkor, as nature has well and truly run riot here. Built to the same floorplan as Angkor Wat, exploring this titanic of temples is Angkor’s ultimate Indiana Jones experience. The temple has been utterly subsumed by jungle, and standing just a few metres away from the south, visitors wend their way over lies of masonry, through long dark chambers and between hanging vines to arrive at the central tower, which has completely collapsed.

Hidden away among the rubble and foliage are several impressive carvings, as well as a well preserved library in the northeastern quadrant. The temple is a special place and it is worth taking the time to explore thoroughly. There is also now a large wooden walkway to the centre, constructed during the filming here of Jean – Jacques Annaud’s Two Brothers (2004) Beng Mealea is at the center of an ancient Angkorian road connecting Angkor Thom and Preah Khan in Preah Vihear Province. A small Angkorian bridge just west of Chau Srei Vibol temple is the only remaining trace of the old Angkorian road between Beng Mealea and Angkor Thom; between Beng Mealea and Preah Khan there are at least 10 bridges abandoned in the forest. This is a way for extreme adventurers to get to Preah Khan temple; however, don’t undertake this journey lightly.

Beung Mealea Temple lies at the foot of Phnom Kulen’s eastern extreme, about 70 kilometers from Siem Reap provincial town. It takes two to three hours to get there via either Banteay Srei of Dam Dek on National Road 6. It is the most accessible of Angkor’s lost temples, a mirror image of the mighty Angkor Wat, but totally and utterly consumed by the jungle.

Constructed by King Suryavarman II (AD 1113-1150), the builder of Angkor Wat, nature has triumphed here, and it is hard to get a sense of the monument’s shape amid the daunting ruins. Like Angkor Wat, Beung Mealea was enclosed by a large moat, which would have measured 1,200 by 900 meters. Once inside the complex, visitors climb over heaps of stones, edge along dark and damp corridors and through dense foliage-this is not one for the fainthearted. The atmosphere, however, is something special. Beung Mealea can be combined with a visit to Banteay Srei and Kbal Spean or Phnom Kulen. Food and drinks are available near the temple.

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Banteay Srie Temple

Banteay Srie Temple

Banteay Srei or Banteay Srey is a 10th century Cambodian temple dedicated to the Hindu god Shiva. Located in the area of Angkor in Cambodia. It lies near the hill of Phnom Dei, 25 km (16 mi) north-east of the main group of temples that once belonged to the medieval capitals of Yasodharapura and Angkor Thom. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. The buildings themselves are miniature in scale, unusually so when measured by the standards of Angkorian construction. These factors have made the temple extremely popular with tourists, and have led to its being widely praised as a “precious gem”, or the “jewel of Khmer art.

Banteay Srei is a temple in Cambodia built in honor of female deities, representing strength, unity, and safety. This pilot is now sustained as an organization that provides social support, healing arts, reproductive health education, life skills-building, leadership development to young Southeast Asian women impacted by sexual exploitation in their communities.

Banteay Srei is dedicated to providing the tools and support necessary for young Southeast Asian women and girls to empower themselves. Based in Oakland, we are an organization that works with young women and girls ages 14-19, that are at-risk or are being sexually exploited. Banteay Srei believes that every person is entitled to living a free, happy and healthy life that is full of options. Through our programs and events that promote leadership development, cultural awareness and self-empowerment, we are working towards creating a generation of fierce, independent and self-empowered young Southeast Asian women.

History of Banteay Srey Temple

Consecrated on the 22nd of April, 967 A.D, Bantãy Srĕi was the only major temple at Angkor not built by a monarch; its construction is credited to a courtier named Yajnavaraha / Yajñavarāha, who served as a counsellor to king Rājendravarman II .The foundational stela says that Yajñavarāha, grandson of king Harṣavarman I was a scholar and philanthropist who helped those who suffered from illness, injustice, or poverty. His pupil was the future king Jayavarman V (r. 968- ca. 1001) Originally, the temple was surrounded by a town called Īśvarapura.

It has been speculated that the temple’s modern name,Bantãy Srĕi, is due to the many devatas carved into the red sandstone walls. Yajñavarāha’s temple was primarily dedicated to the Hindu god Śiva. Originally, it was carried the name Tribhuvanamaheśvara — great lord of the threefold world — in reference to the Shaivite liṅga that served as its central religious image. However, the temple buildings appear to be divided along the central east-west axis between those buildings located south of the axis, which are devoted to Śiva, and those north of the axis, which are devoted to Viṣṇu.

The temple’s modern name, Bantãy Srĕi — citadel of the women, or citadel of beauty — is probably related to the intricacy of the bas relief carvings found on the walls and the tiny dimensions of the buildings themselves.[6] Some have speculated that it relates to the many devatas carved into the walls of the buildings

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Ta Prohm Temple

Ta Prohm Temple

So many things have been said about Ta Prohm temple but this is the comment that best sums it up for me:”If Angkor Wat, the Bayon and other temples are testimony to the genius of the ancient Khmers, Ta Prohm reminds us equally of the aweome fecundity and power of the jungle” (Lonely Planet Cambodia)

Siem Reap is the northern city home to the Great Angkor Wat Temple, the most popular destination for tourists in Cambodia. People usually know about Angkor Wat and Angkor Thom which are the well known temples rather than the many smaller gorgeous temples around the area. I was particularly impressed by the temple called Ta Prohm or Tree – Strangled Temple. This temple is 800 years old and has lots of enormous beautiful trees, a great example of nature and manmade structure as one. The tree roots twisting around and on top of these temples look like the tentacles of a giant sleeping octopus. This unique appearance of the temple attracts thousands of tourists every year even though the weather isn’t that pleasant throughout the year, averaging 34 degrees. Interesingly, Tom Raider, the 2001 film starring Angelina Jolie helped to spread the world about this amazing feat of architecture.

About a hundred meters walk from the beautiful entrance you can see the first temple with a large front quadrangle surrounded by several tall trees reaching to the sky. Walking through this temple complex is exciting, with trees and roots blending into the temples at every turn. It’s like an enormous sculpture. The camera was working overtime!

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Bayon Temple

Bayon Temple

The Bayon Temple or Prasat Bayon is a well-known and richly decorated Khmer temple at Angkor in Cambodia. Built in the late 12th century or early 13th century as the official state temple of the Mahayana Buddhist King Jayavarman VII, the Bayon stands at the centre of Jayavarman’s capital, Angkor Thom. Following Jayavarman’s death, it was modified and augmented by later Hindu and Theravada Buddhist kings in accordance with their own religious preferences.

The Bayon’s most distinctive feature is the multitude of serene and massive stone faces on the many towers which jut out from the upper terrace and cluster around its central peak. The temple is known also for two impressive sets of bas-reliefs, which present an unusual combination of mythological, historical, and mundane scenes. The current main conservatory body, the Japanese Government team for the Safeguarding of Angkor (the JSA) has described the temple as “the most striking expression of the baroque style” of Khmer architecture, as contrasted with the classical style of Angkor Wat

History of Bayon Temple

+Buddhist symbolism in the foundation of the temple by King Jayavarman VII

According to scholars, King Jayavarman VII bears a strong resemblance to the face towers of the Bayon. The Bayon was the last state temple to be built at Angkor, and the only Angkorian state temple to be built primarily as a Mahayana Buddhist shrine dedicated to the Buddha, though a great number of minor and local deities were also encompassed as representatives of the various districts and cities of the realm. It was the centrepiece of Jayavarman VII’s massive program of monumental construction and public works, which was also responsible for the walls and nāga-bridges of Angkor Thom and the temples of Preah Khan, Ta Prohm and Banteay Kdei.

The similarity of the 216 gigantic faces on the temple’s towers to other statues of the king has led many scholars to the conclusion that the faces are representations of Jayavarman VII himself. Others have said that the faces belong to the bodhisattva of compassion called Avalokitesvara or Lokesvara. The two hypotheses need not be regarded as mutually exclusive. Angkor scholar George Coedès has theorized that Jayavarman stood squarely in the tradition of the Khmer monarchs in thinking of himself as a “devaraja” (god-king), the salient difference being that while his predecessors were Hindus and regarded themselves as consubstantial with Shiva and his symbol the lingam, Jayavarman as a Buddhist identified himself with the Buddha and the bodhisattva.

+ Alterations following the death of Jayavarman VII

Since the time of Jayavarman VII, the Bayon has suffered numerous additions and alterations at the hands of subsequent monarchs.[1] During the reign of Jayavarman VIII in the mid-13th century, the Khmer empire reverted to Hinduism and its state temple was altered accordingly. In later centuries, Theravada Buddhism became the dominant religion, leading to still further changes, before the temple was eventually abandoned to the jungle. Current features which were not part of the original plan include the terrace to the east of the temple, the libraries, the square corners of the inner gallery, and parts of the upper terrace

+ Modern restoration

In the first part of the 20th century, the École Française d’Extrême Orient took the lead in the conservation of the temple, restoring it in accordance with the technique of anastylosis. Since 1995 the Japanese Government team for the Safeguarding of Angkor (the JSA) has been the main conservatory body, and has held annual symposia.

The site of Bayon Temple

The temple is oriented towards the east, and so its buildings are set back to the west inside enclosures elongated along the east-west axis. Because the temple sits at the exact centre of Angkor Thom, roads lead to it directly from the gates at each of the city’s cardinal points. The temple itself has no wall or moats, these being replaced by those of the city itself: the city-temple arrangement, with an area of 9 square kilometres, is much larger than that of Angkor Wat to the south (2 km²). Within the temple itself, there are two galleried enclosures (the third and second enclosures) and an upper terrace (the first enclosure). All of these elements are crowded against each other with little space between. Unlike Angkor Wat, which impresses with the grand scale of its architecture and open spaces, the Bayon “gives the impression of being compressed within a frame which is too tight for it.”

Angkor Wat Temple Today

The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation’s survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts.

Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began work on the Churning of the Sea of Milk Gallery in 2008. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561,000 and 677,000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government.

The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples—although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities.

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Angkor Wat Temple

Angkor Wat Temple

Angkor Wat Temple combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early Indian Hindu architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs and for the numerous devatas (guardian spirits) adorning its walls. The modern name, Angkor Wat, means “City Temple”; Angkor is a vernacular form of the word nokor which comes from the Sanskrit word nagara meaning capital or city. Wat is the Khmer word for temple. Prior to this time the temple was known as Preah Pisnulok, after the posthumous title of its founder, Suryavarman II. Angkor Wat is a temple complex at Angkor, Cambodia, built for the king Suryavarman II in the early 12th century as his state temple and capital city. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world’s largest religious building. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country’s prime attraction for visitors.

History of Angkor Wat Temple

Angkor Wat lies 5.5 kilometres (3.4 mi) north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor’s main sites.

The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113 – c. 1150). Dedicated to Vishnu, it was built as the king’s state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as Vrah Vishnu-lok ( literally “Holy Vishnu’-Location'”, Old Khmer’ Cl. Sanskrit). after the presiding deity. Work seems to have ended shortly after the king’s death, leaving some of the bas-relief decoration unfinished. In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometres to the north.

Henri Mouhot popularised the temple in the west in the mid 19th-century

In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.

One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it “is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of.” However, the temple was popularised in the West only in the mid-19th century on the publication of Henri Mouhot’s travel notes. The French explorer wrote of it:

Facade of Angkor Wat, a drawing by Henri Mouhot

“One of these temples—a rival to that of Solomon, and erected by some ancient Michelangelo—might take an honourable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged.”

Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site.

There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.

Style of Angkor Wat Temple

Angkor Wat is the prime example of the classical style of Khmer architecture—the Angkor Wat style—to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime have been suggested.

Angkor Wat has drawn praise above all for the harmony of its design, which has been compared to the architecture of ancient Greece and Rome. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple “attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style.”

Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.

The Angkor Wat style was followed by that of the Bayon period, in which quality was often sacrificed to quantity. Other temples in the style are Banteay Samré, Thommanon, Chao Say Tevoda and the early temples of Preah Pithu at Angkor; outside Angkor, Beng Mealea and parts of Phanom Rung and Phimai.

Angkor Wat Temple Today

The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation’s survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts.

Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began work on the Churning of the Sea of Milk Gallery in 2008. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561,000 and 677,000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government.

The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance—as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples—although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities.

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